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September 27, 2009 Smile Anatomy: Emotional Self Regulation and Facial Expression Muscle Measurement and Training By Rob Kall Originally published as a chapter in Jeffrey Cram's book Clinical Surface EMG Volume 2, in 1989 EMG
self awareness and control techniques can be used to train individuals
to increase awareness and voluntary control of their emotional states,
volitionally facilitating positive feelings, attitudes and
expectancies. Our muscles not only move us through our world, they also mediate our experiencing of it. This
chapter describes how conventional relaxation biofeedback, and
zygomaticus biofeedback training paradigms can be readily integraed
into an emotional self regulation model for optimizing the individual's
capacity and ability to make the most of positive experience
opportunities and to maximize positive affect and attitude. Biobehavioral
patients (Pain, stress, anxiety, somatic dysfunction, phobia,
behaviorally exacerbated medical illness) tend to tighten muscles,
constrict their peripheral vasculature and emotional response range,
and narrow and rigidify their selective perceptual pattern of viewing
their environment so they often miss or less-than-optimally respond to
positive opportunities. After they've learned relaxation and stress
regulation techniques they are still in need of emotional expression
skills so they can make the most of opportunities for positive
experience. The
ability to express emotion effectively, to be aware of feelings before
one acts, and to perceive the emotional expressions of others has
helped humans to survive the Darwinian evolutional selection process of
the survival of the fittest. The Neanderthal who could sense and
control his fear so he didn't scream, saved his family from detection. The warm and affectionate Cro Magnon man was more likely to connect
with a mate and keep her with him so he could father several children--
thus perpetuating his genes. The Peking man with a sense of humor could
laugh his way out of an argument. Emotions: The Same Language All Over The World Our
feelings are connected to our faces. When we make faces, we activate a
universal human response programmed into our bodies before birth.
Charles Darwin wrote in his 1872 book, The Expression Of The Emotions In Man And Animals,
that emotions are not learned, but rather, biologically determined.
About 100 years later, research psychologists Paul Ekman and Carrol
Izard independently travelled around the world to observe the faces
people make to express different emotions. In every culture, every
country they studied, they found that people smiled to express
happiness, scowled when feeling angry, and made the same faces to
express fear, disgust, and other basic emotions. Images of smiling faces Darwin published in his book This universal set of
facial expressions strongly suggests that the most common emotional
expressions are not learned, like the hundreds of spoken languages, but
rather, are wired into our nervous systems. We smile or frown because
the facial expressions are programmed, through our genes, into our
being. The dog's bark and cat's meow, the shocked look of surprise, the
sneer of disgust and the happy smile are woven into the spiral helix of
the DNA that spells out the definition and specifications of each
species. Just
as hair and skin color, height and nose shape are passed along from
parent to child, many of the facial muscles and other body parts that
express emotion are also hereditarily influenced, giving some people
blinding smiles, with flashing gums. or distorted attempts at smiles
which produce barely perceptible movements at the corners of the mouth. Emotional Illiteracy Emotional
expression starts at birth with crying and takes many weeks or months
to begin blooming. Parents lovingly work to cultivate those first
smiles, coos and laughs. Long before the child can deevelops language
skills, he can cry, scream or smile anything out of Mama or Papa. Once
walking and talking begin, our culture shifts all the emphasis there,
almost forgetting emotional communication skills entirely. Emotional
expression training tapers off, with few if any conscious efforts at
the emotional equivalent of grammar training or vocabulary building or
further development of the language of emotions. We're left to fend for
ourselves. Over
100 years ago a debate on one of the most important aspects of human
emotion began. What comes first? Does something which happens in our
environment, like the screeching of tires, set off a racing heart beat
so we feel the pounding in the chest and become aware of the emotion?
Or do we hear the tires, feel the fear and become fearful, thus setting
the heart racing? Pioneer
psychologist, William James, took this position in the debate, " An
emotion of fear, for example, or surprise, is not a direct effect of
these objects's presence on the mind, but an effect of that still
easier effect, the bodily commotion which the object suddenly excites;
so that, were this bodily commotion suppressed, we should not so much
feel fear as call the situation fearful; we should not feel surprise..,
but coldly recognize that the object was indeed astonishing. ...the
mere giving way to tears, for example, or to the outward expression of
an anger-fit, will result for the moment in making the inner grief or
anger more acutely felt." James'
following observation spells out the heart of the pattern activation
component of the Happiness Response model of emotional self regulation.
"...Action seems to follow feeling, but really action and feeling go
together; and by regulating the action, which is under the more direct
control of the will, we can indirectly regulate the feeling, which is
not. ...Thus the sovereign voluntary path to cheerfulness, if our
spontaneous cheerfulness be lost, is to sit up cheerfully, to look
round cheerfully, and to act and speak as if cheerfulness were already
there. If such conduct does not make you soon feel cheerful, nothing
else on that occasion can. "So to feel brave, act as if we were
brave, use all our will to that end. .... and a courage-fit will very
likely replace the fit of fear. ...To feel kindly toward a person to
whom we have been inimical, the only way is more or less deliberately
to smile, to make sympathetic inquiries, and to force ourselves to say
genial things. ...One hearty laugh together will bring enemies into a
closer communion of heart than hours spent on both sides in inward
wrestling with the mental demon of uncharitable feeling. ...To wrestle
with a bad feeling only pins our attention on it, and keeps it still
fastened in the mind; whereas, if we act as if from some better feeling, the old bad feeling soon folds its tent ... and silently steals away." The debate is still alive, but more researchers have, like James, now take the position that both sides can be true. Making Faces Can Increase Body Muscle Strength Several
researchers have proved that grimacing actually increases hand
strength. Making a face produces a direct effect on a seemingly
un-related part of the body. Just as grimacing intensifies grip
strength, making strong facial expressions can intensify experience of
other emotions. Recent
computerized assessment of multiple site Facial EMG activity has
demonstrated its superiority over observer visual assessment of
subject's emotions. During
the past 10 years many studies have repeatedly shown high correlations
between facial muscle activity and emotional state. Fair and Schwartz
reported that normals show stronger zygomatic response during positive
affective imagery. Depressed patients exhibit stronger corrugator
responses and weaker zygomatic responses. This seems analogous to the
pattern physical therapists encounter when using biofeedback to
rehabilitate weakened or atrophied muscles. One muscle (like the
zygomaticus) is underactive. The antagonist muscle (the corrugator) is
overactive and must be voluntarily inhibited and controlled. We
have been using Zygomaticus activation and Corrugator muscle inhibition
EMG feedback for positive affect facilitation, intensification and
"smile rehabilitation. Prospective data is being collected. When
subjects are instructed to maximally activate the zygomaticus, readings
range from 12 microvolts (100-200 hz bandpass) to 150 microvolts.
Practice appears to dramatically increase contraction strength above
initial levels. When subjects are induced to laugh or smile naturally,
their EMG activity tends to be higher than during volitional efforts at
maximal zygomatic contraction, or even maximal efforts to smile. This
suggests an inhibitory process at work, perhaps similar to what occurs
during the early stages of thermal biofeedback training, when efforts
to produce vasodilation usually result in cooling of the fingers.
Further zygomaticus increase training, coupled with biofeedback
monitored smiling and laughing to facilitate subject "connectedness"
with the awareness of psychophysiological dimensions of positive
emotion seems to lead to the ability to equal and then exceed automatic
or "involuntary" positive emotional response EMG activation. Caccioppo
mentions one Japanese study in which a group of human cadavers were
dissected and two percent of them were found to be lacking their
zygomaticus-- the primary smile muscle. Were they atrophied through
lack of use or missing from birth. Emotion
researcher Sylvan Tomkins suggests that most people rarely express
pure, uninhibited emotions. They transform, inhibit and modify feelings
based on their acculturation. The feelings end up being blocked and are
never really felt. Tomkins suggests that breathing and vocalization are
the most strongly blocked. The facial muscles are used to prevent the
feelings from being expressed. Instead of jumping and shouting
joyously, we smile with drawn cheeks and pursed lips. We need to be
able to control our emotional displays in some situations. The problem
is, some people don't learn how to modulate the release of uninhibited
emotional expression. They are either totally inhibiting or totally
emoting. Raw emotional expression can be frightening, like an "alien
force within" if it is only released on rare occasions-- during
intoxication or under extreme circumstances. For feelings to be tamed,
one must be capable of varying mixtures of voluntary and uninhibited
control. One has to be able to modulate emotional letting go-- ten
percent sometimes, ninety five percent other times. Practice can help. If
a positive experience opportunity presents itself, one must be able to
quickly make the most of it by connecting with it as completely as
possible yet appropriate, emotionally, mentally and physically. It
takes training and practice to learn how to comfortably express and
experience deep feelings. I
often ask seminar participants to smile at the very beginning of my
presentation. A few don't smile at all. Some scowl. Some barely smile,
and some let loose with strong smiles at the least excuse. I only allow
about three seconds and then I say, "Stop. If you didn't smile yet, you
lost your chance." A quick, strong positive experience reflex is
necessary to get the most out of each minute. We
are conditioned to experience good feelings in response to the smile
and warm, happy sounds, since most of the time, smiles and happy or
pleasure sounds and actions are genuine parts of positive experiences
which produce good feelings. Paul
Ekman told professional actors and actresses to make emotional faces,
one muscle group at a time. This way, the instructions didn't cue the
actors to the kind of face formed. They weren't told to make a happy or
frightened face, but rather, to move their facial muscles in specified
patterns, ie.; pull the brows together, pull the mouth back
horizontally, raise the upper eyelids, etcetera. Ekman found that
different facial expressions produced different physiological response
patterns. Just combining facial muscle activity patterns could produce
predictable heart rate and hand temperature increases or decreases.
Synthetic faces seemed to illumine the whole body with
emotion-appropriate patterns of physiological activities. In
one study, military veterans with spinal cord injuries reported
decreased experience of emotion after their injury. The more extensive
the spinal cord damage and resultant greater loss of body sensation,
the greater was their loss of their ability to feel emotion. Patients
described their feelings as cold, as mental rather than feeling and
emotional. "But
I can't make a fake smile," so many people respond when asked to turn
on a fake or synthetic smile. I tell them to do it anyway! The goal of
emotional self regulation is to teach individuals to learn to find
their own buttons for activating the patterns of good feelings built
into their nervous system. The other side of the coin is the need to
identify how they inhibit good feelings. I explain to patients, that
when we create a synthetic smile, we usually experience feelings that
flicker between the real; "feeling-good" and; "I'm just faking this and
I feel silly or stupid" feelings. The reason we can actually switch to
feeling genuinely good just by creating a synthetic smile is response
pattern activation. The activation of facial muscle patterns usually
genuinely associated with good feelings actually facilitates the
turning on of the real thing--a feeling-good, conditioned response. New
patients often resist instructions to smile. They resist, saying: "I
can't smile," "I don't want to smile," "It feels silly," or "strange"
or "It doesn't feel real so I don't want to do it." I
ask one to smile and he says he can't. I pause, allowing the silence to
grow pregnant, then nod my head with a whimsical smile and ask, "C,mon.
You can't smile?" I knit my brow, perplexed. "Do you have a
neurological deficit? No? Then you don't want to smile?" My patients
appear annoyed, as though they were about to say, "Leave me alone. I
don't want to smile." But they do want to smile. My little pre-schooler
acts the same way when he's miffed. I joke with him and he flickers
between laughing, smirking and frowning. The patients are stuck in old
patterns of inhibition that prevent them from opening up to good
feelings when they want to. It's
so common for people to be uncomfortable expressing their feelings.
John Perry describes how anorgasmic women are comfortable having
orgasms masturbating with their legs closed, but become anxious when
they spread their legs. He teaches them to masturbate with their legs
spread so they become comfortable with the position. Here's
how I work with smile resisting patients: I suggest, "You do want to
smile, don't you? Let me show you how." At that point, I demonstrate an
exagerated smile. Or I'll tell a joke or threaten tickling (if it's a
group.) So far, this effort has never failed. Every patient smiles and
usually laughs spontaneously. Part of the reason my little trick works
is because there are two nerve pathways which control the smile and
other facial expressions. The upper nerve pathway is connected to the
gray matter motor cortex of our brain. When we decide we want to smile
and think "smile," then the motor cortex activates our smile via the
upper nerve pathway. Stroke patients with damage to their motor cortex
lose the ability to voluntarily turn on a smile, though some smile
rehabilitation physical therapy can help. But even after a stroke,
patients with the lower smile pathway still intact will reflexively
smile in response to something funny or ticklish, because the lower
pathway is connected to the lower part of the brain, where emotions are
mediated and where the stress and emotion mediating sympathetic nervous
system is controlled. I get my patients to smile and laugh by bypassing
their voluntarily or subconsciously disconnected upper smile pathway.
I've tickled their lower smile pathway into activation by turning on
synthetic smiles that activate the PE physiological response pattern,
allowing them to feel the real thing. The
smile response pattern activation proves to my patient he can smile.
When he sees my exagerated,smile, an image of a smile is formed in his
brain. This smile image helps to animate or rouse his own
smile-conditioned response pattern homunculus and to facilitate the
lower pathway smile response pattern. The image functions like a
template or behavioral "mold," shaping and helping the release of his
feeling-good response, even though the patient had been stuck,
inhibiting it a moment earlier. Some
patients are feeling so bad, they say they don't want to or can't
smile. Then, smile biofeedback can be useful. Patients use zygomaticus
EMG feedback to tell them what strategies help to boost their smile
muscle strength and boost the EMG amplitude. They
learn to voluntarily create a genuine smile that helps them let go of
their positive experience inhibiting behaviors. The concrete, muscle
strength oriented feedback helps them to strengthen their smile reflex
without initially expecting wonderful feelings. Over and over again,
we've found in our research that people, when asked to smile as strong
as they can, work and strain to make a smile. Sometimes, in their
beginning efforts to intensify their smiles, they screw their faces
into distorted smiles, very artificial in appearance (just as other
physical therapy patients suffer from unwanted co-contraction of
antagonist muscles). We crack some jokes, kid around. Making any
feeling good sound, like laughter, humming, cheering, seems to
strengthen the smile activity. When we coax them into laughing, the
smile comes effortlessly with the help of the lower motor neuron
pathway, and is 20% to 100% stronger than the strained effort. This
approach actually teaches feeling relaxation-- the ability to stay
relaxed and comfortable while feeling deep emotions. Kicking
in the lower motor-neuron pathway is a very important step for the so
many people suffering from alexithymia and other emotional
dysregulation disorders. Learning to at first tolerate, then remain
comfortable while experiencing strong feelings is often a sign of
improvement for patients in many different forms of psychotherapy. The
anxiety of feeling emotion is a common one that can be coped with very
effectively. The feeling biofeedback and facial muscle exercises allow
people to take small, safe steps. The patient's begin to take risks.
The smile becomes more symmetrical, more natural and more robust. The
goal of smile aided relaxation is to go beyond feeling nothing, to
feeling deeply, to be able to comfortably enjoy strong, deep feelings.
You can learn to turn on the full range of your emotions with comfort
and joy. Smile Anatomy The
most basic smile muscle is the zygomaticus, named after the zygomatic
arch-- the cheek bone-- which it attaches to at one end. The other end
of the zygomaticus attaches to the corner of your mouth. Because
of genetic variation, some people will have bigger zygomaticus muscles
than others. Some zygomaticus muscles will be built up more around the
front of their cheek while in others, the zygomaticus is further back
on the cheek bone. Though there's little research, it makes sense that
humanity's genetics has included smiles in its approach to biological
diversity. There may be people who were born with easier, bigger, wider
smiles. There may be people with more smile inhibition nerve paths. I instruct patients to get to know their zygomaticus, the most
important and central of the smile muscles. The other smile muscles act
as modifiers, adjective-like descriptors and smile flavoring components. The
eye muscles involved in smiling, the lower lateral orbicularis Oculi
pars palpabraeus, which crinkle up our lower eyelids and produce crow's
feet, seem solidly connected with lighthearted, open-hearted good
feelings and warmth. The eye smile muscles can work with the levator
labii superioris-- upper toothy smile muscles-- to intensify the total
smile. These lift the upper lip to show the teeth, and are connected to
the orbicularis oculi pars palpabraeous eye smile muscles. Try making a
little smile, then add your heart and turn the smile into a strong,
genuine, high intensity smile, including your eyes. Darwin
suggested that the levator muscles might be involved and that at the
least, they were attached to the orbicularis oculi muscles and they
either aided in the lifting of the upper lip when the oculi muscles
were involved or at least, acted as cables, pulling up the upper lip
through the activation of the eye smile muscles. Paul Fair, when a
graduate student at Harvard, found that the lower outer portion is the
only part of the ring of muscle encircling the eye that is
significantly involved in smiling. I instruct clients to practice
smiling with just the lower outer part of their orbicularis oculi, to
be careful that they don't frown or just squeeze the entire eye muscle
when they attempt to activate the key part of the muscle. Ekman
reports that not everyone appears to be able to voluntarily control the
lower orbicularis oculi muscle. His observation concurs with our own
findings. Yet we've seen that with biofeedback aided training people
can usually learn to develop voluntary control of these muscles. It may
be that learning to turn on smiling eyes is like learning to warm the
hands. You can get good at the skill without being able to verbalize
what you are doing. It
seems that smiling with the eyes makes it easier to connect with, and
smile with and from the heart. The eye smile muscles become involved in
more intense, intimate and open smiling. Barriers seem to melt when two
people face each other eye to eye and smile a full faced smile with
puffed lower eyelids and gleaming, squinted eyes. Darwin speculated
squeezing the eyeball caused a change in its shape which produced the
sparkle so often associated with smiling, cheerful eyes. There
may be some muscle activity involved. besides the zygomaticus in
raising the upper lip. The levator superioris muscle is definitely
involved in the look of disdain, and may be involved in lifting the
upper lip in some strong smiles. Ducchenne actually separately
categorized the zygomaticus into two parts, one to raise the corners of
the mouth and the other raising the upper lip. But many facial anatomy
charts omit the zygomaticus minor. Some
people, particularly people who wore braces, are shy about showing
their upper teeth. They inhibit or minimize the activity of the muscles
that raise the upper lip. Experiment with adding lifting your upper lip
to your smile. Pay attention to the different parts of your upper lip
and how your feelings vary as you activate them. Showing
the upper teeth in a smile appears to always be accompanied by
zygomaticus activity. But what happens if a person is shy or nervous
and inhibits the major ingredient in his or her smile. If he inhibits
the zygomatic ''primary'' smile activity but allows the ''secondary
smile activity'' upper lip to be raised, or pulls his lips straight
back rather than up towards the zygomatic arch, he may turn on a
"nerdy" kind of grin like the Nerds in the Nerds movies, "Seymour" in The Little Shop of Horrors
or Jerry Lewis in his earlier comedies. Or the zygomatic activity may
be replaced with a pursed lipped, forced smile produced by the
buccinator and risorius or platysma. Emotional Expression Anatomy It
can be very useful to go beyond the smile ABC's to develop a smile
vocabulary so you can clearly discuss with patients and help them to
think precisely about what they do when they smile. The more they can
understand the physiological activities and events that underlie the
smile and positive experiences, the better thry'll be able to control
and enjoy them. The list of muscles and the facial muscle anatomy chart
below are provided to help your patients connect with the pieces of
their emotional expression tool kit. Even if one is already in perfect
emotional health, the smile anatomy information can still be used to
identify smile patterns and ways one can strengthen less active
components. Experiment
with and try to identify each muscle's activity on your face. Tense or
flex it a little, then a lot. Combine two or more smile muscles. What
expressions, if any, do these produce on your face? What feelings do
you experience? The birth of Electrophysiology The
descriptions of the muscles are taken from my own observations, those
of the many researchers I've interviewed and reviewed the literature
of, and the work of Duchenne, an 18th century french physiologist. In
the 1830's through 1870's, Duchenne used a Faraday battery (similar to
the kind Ben Franklin used for his famous key-in-a-kite experiment.) to
stimulate the muscles of cadavers and live subjects so he could observe
the electrophysiology of motion. He observed the actions of the muscles
to determine where they were attached and how they functioned. It's
unlikely the same research could be performed now. He warns of the risk
of burned out eyeballs in these experiments. The more anachronistic
descriptions are Duchenne's. Muscles of Positive Experience 1-Zygomaticus- lifts corners of mouth towards cheek bones. The primary smile muscle 2- Orbicularis Oculi palpabreaous lateral inferior muscle of benevolence and frank joy. causes crow's feet, twinkling in the eye. 3-Nasalis-lewdness
and lasciviousness, flares nostril creases central part of nose. I call
it the Q spot because it was labeled Q on Duchenne's facial anatomy
chart and because, like the "G spot", it has the potential to turn on
sexual arousal. 4-Pars alaris complementary with Nasalis for expression of passion, flares nostrils, lifts nose 5-Mentalis-shows lower teeth 6-Platysma -intensifier, opens lower lips, pulling them down and back. 7-orbicularis oris-modifies smile in kissing, tasting, sexual excitement, thrills 8-trapezius and cervical paraspinals-pull head back for laughter, sighs of contempt, breaths of sweetness. 9-diaphragm- belly laughing 10-arms and hands- hilarious waving Aggression, Anger and Rage Muscles 1-corrugator-anger, anguish-- pulls eyebrows down 2-Orbicularis Oculi Palpabraeous superior and inferior-- contempt , squints or narrows eyes 3-Masseter- clenched jaw of restrained anger 4-triangularis -complementary of aggressive passions, pulls lower lip out to help form contemptuous face 5-procerus nasi--aggression, frown; lowers, furrows forehead, creates the scowl 6-quadratus labii inferioris-- lowers lower lip 7-Platysma- intensifier-- pulls lower lips down and back, helps show teeth 8-sternocleidomastoid-- pulls head towards chest or tightens neck. Fear and Sadness muscles 1-Frontalis- muscle of attention 2-palpebralis superior and inferior, muscle of contempt and complementary muscle of weeping. 3-labii
superioris moderate weeping or grief, whimpering. This muscle lifts the
upper lip. It seems to act as an intensifier for many feelings. 4-orbicularis oculi. The muscle encircling the eye. 5-Masseter- may go slack during fear 6-triangularis- muscle of sadness-- pulls down corners of mouth 7-corrugator- muscle of anguish, pulls eyebrows in and down towards nose 8-Buccinator- muscle of irony-- a deeper muscle that pulls the mouth straight back 9-platysma- a large sheet of muscle that attaches at the corners of the mouth, pulling down This
is just a partial list. The dozens of facial anatomy maps I've examined
illustrate the facial musculature differently, many omitting minor
muscles or calling them by different names. Have
patients Use your mirror or touch your face with your fingers and feel
how each muscle moves and feels as you flex it with different amounts
of tension. Subliminal Smile Rehabilitation Cancer
patient counselor Yvonne White, takes an indirect approach when working
with depressed or angry patients who don't want to smile. She assigns
them exercises using muscles that are less obviously associated with
the smile, like the platysma and mentalis muscles. She reports patients
come back asking, "Are you trying to trick me into smiling? Because
it's working." Remember,
facial muscles are but one category in the expression and experiencing
of feelings. Posture, tone of voice, energy availability, previous
activity all play important roles in what we feel and how we turn on
our feelings. Progressive Smile Activation This
is a great exercise to do in a group, but is also useful to practice on
a regular basis to build your smile reflex speed and strength. Begin
by turning on your zygomaticus. Pump a little zygomaticus iron for a
few repetitions. Relax a few moments. Next, Start with activating your
zygomaticus and add your lateral inferior (outer lower eye) orbicularis
oculi and smile with eye eyes, making them twinkle. Pump this a few
times. Next, start with the zygomaticus and eye-smile activation and
add lower mouth, showing your teeth smiling. You can just add Mentalis
and next Platysma, or take a short cut and do them together. Next, use
your levator superioris to raise your upper lip and show your upper
teeth. Make sure during all of this that you are not squeezing the rest
of your eyes or corrugator or any muscles that have not been specified.
Next, pull your head back, like you do when you really laugh. Next,
breath from your abdomen. Next, move your arms and move your body from
side to side. Add laughter or silly sounds and let yourself really
loosen up enough to get silly and playful. You may want to experiment
with tightening only one side of a pair of muscles. Try adding the
nasalis and naris muscles-- flare your nostrils and scrunch up your
nose. Remember, Duchenne suggested that was the muscle of lust and
lasciviousness. See what feelings you experience when you use these
muscles. Look at the activity in the mirror. What does it look like to
you? Even better, do this exercise looking at someone else who does the
exercise with you. This exercise was inspired by the work of Colorado
Psychiatrist Christian Hegaseth, author of The Laughing Place. Self Administered Smile Nerve Blocks In
case after case, depressed, angry and stressed patients have appeared
to be creating their own upper smile pathway nerve block. Camille
Palumbo, a counselor at Jefferson Medical Univ. calls this smile
psychomotor retardation. Paul Fair, an Atlanta psychologist treated
facial paralysis patients at Emory Univ. He found that the first thing
he had to teach these patients was deep relaxation, so they could
control the sometimes bizarre grimaces they would produce while
attempting to smile. (I've often seen similar grimaces in normal,
non-paralyzed people.) The facial paralysis patients would come in for
two hour treatment sessions three times a week for several months. They
were very motivated, and even small results helped them to feel much
better about themselves and their appearances. If
you take just a little time to practice strengthening your smile
reflex, you'll be helping yourself in several ways. First, you'll be
better prepared to quickly smile into connecting with PE opportunities
that present themselves to you. Second, you'll begin to develop a
smiling face as your resting muscle tone for your face. Third, at a
pre-conscious level, you'll begin processing and filtering your
experiences with a better attitude that your smiling face sets up
reverberating throughout your body. |